Dissertations

1. Baker, J., Seven anthems for men's voices by Matthew Locke: Transcriptions and commentary. 1998, University of Illinois at Urbana-Champaign: Champaign, IL. pp. 127
   
   
2. Chen, J.-Y., The tradition and ideal of the stile antico in Viennese sacred music, 1740--1800 (Austria). 2000, Harvard University: Cambridge, MA. pp. 285 PhD
   
   
3. DeCarlo, L., A study of the Carpatho-Rusyn chant tradition in the late Eighteenth Century: The manuscript of Irmoloji of Joann Juhasevyc (Byzantine-Slavonic, liturgical). 1998, Florida State University: Tallahassee. pp. 280
   
   
4. Gruett, J.D., Handel's 'Saul' on stage: The viability and validity of producing a staged dramatic presentation of a sacred oratorio in a church edifice as a non-traditional setting using Handel's 'Saul' as a working production model. 1999, University of Washington: Seattle, WA. pp. 228
   
   
5. Hruza, L., The Marian repertory by Tomas Luis de Victoria in Toledo, "Biblioteca Capitular Mus. B. 30:" A case study in Renaissance Imitatio. 1999, University of Calgary: Calgary. pp. 245
   
   
6. Hutchins, R., Polyphonic mass music by some early Fifteenth-Century composers from the Diocese of Liege: Lovanio, Nicolaus Natalis and Hugo de Lantins. 1999, UCLA: Los Angeles. pp. 690
   
   
7. Jones, L., A conductor's guide to three sacred choral/orchestral works by Antonio Caldara: "Magnificat in C," (1724), "Te Deum" and "Dies irae". 1999, University of Oklahoma. pp. 421
   
   
8. Kang, Y., The art of counterpoint in stile nuovo sacred polyphony in seventeenth-century Italy (Claudio Monteverdi, Giacomo Carissimi). 1999, University of Pennsylvania: Philadelphia. pp. 309
   
   
9. Lee, P.-N., Psalms of Felix Mendelssohn-Bartholdy. 2000, University of Cincinnati: Cincinnati, OH. pp. 94
   
   
10. Lee-De Amici, B.A., Ad sustentacionem fidei Christiani: Sacred music and ceremony in medieval Oxford. 1999, UNIVERSITY OF PENNSYLVANIA: Philadelphia. pp. 258
    
    
11. Pane, S., The reform of sacred Italian choral music in Nineteenth Century Italy: A history of the movement within the socio-political context. 1998, University of Maine. pp. 223
    
    
12. Robertson, A., Affirmations of royalty: Liturgical music in the collegiate church of St. Mary in Aachen, 1050-1350. 1998, University of Chicago: Chicago. pp. 457 Publication Number: AAT 9832164.
    
    
13. Shulte, W., Music and language in Johann Hermann Schein's sacred works. 1998, University of Cincinnati: Cincinnati. pp. 211
    
    
14. Sposato, J.S., The price of assimilation: The oratorios of Felix Mendelssohn and the nineteenth-century anti-Semitic tradition (Germany). 2000, Brandeis University. pp. 977
    
    
15. Tacconi, M., Liturgy and chant at the Cathedral of Florence: A survey of the Pre-Tridentine sources (Tenth-Sixteenth Centuries). 1999, Yale University: New Haven. pp. 406
    
    
16. Tarrant, F.A., John Blow's verse anthems with organ accompaniment. 2000, Indiana University: Indianapolis. pp. 470
    
    
17. Welter, K., Johann Pachelbel: Organist, teacher, composer. A critical reexamination of his life, works and historical significance. 1998, Harvard: Cambridge, Mass. pp. 384 Publication Number: AAT 9832527
    
    
18. Wilcox, K., Russian sacred choral and folk music: A multicultural text for high schools and colleges. 1998, University of Missouri, Kansas City: Kansas City. pp.